Dxo optics pro latest version
- DXO OPTICS PRO LATEST VERSION INSTALL
- DXO OPTICS PRO LATEST VERSION CODE
- DXO OPTICS PRO LATEST VERSION FREE
Then, if you are satisfied, you will have a chance to buy the Version 11 at discount price until March 31, 2017.įree DxO OpticsPro 9 may be a good way of “luring” the customers to buying the newest version later, but of course – nobody can force you to do it.
DXO OPTICS PRO LATEST VERSION INSTALL
If everything suits you, you can install the software and use it for free. If you’d like to check the system requirements and supported operating systems and cameras, you can check it out here.
DXO OPTICS PRO LATEST VERSION CODE
You get to enter your email address here, and you get the license code to your email.
DXO OPTICS PRO LATEST VERSION FREE
So, the first time users could probably settle for the free 9 version, at least for a start.
The version 11 costs €129 (around $139) for Essential and €199 (around $215) for Prime edition. Also, it’s completely free, and if you haven’t used this software before, it could be a great opportunity to try it out. Sure, version 11 is the latest one, but I suppose 9 could still do the trick. They are again two versions ahead the ones they’re giving away. The Force Parallel and Rectangle tools make it delightfully easy to correct unflattering distortions and square off the geometry of subjects.DxO Labs did the same thing in 2015, when they upgraded to the version 10, so they gave away free license codes for version 8. Other highlights include inspired processing presets, including subtle HDR effects from a single raw file, and another to restore body proportions in group portraits. The two editors were also close for extracting details from raw files, but Lightroom clinched it with crisper rendering of subtle textures.
However, Optics Pro’s default settings are much closer to what we’d choose than Lightroom’s weak default noise reduction. It was on a par with Lightroom for noise reduction, too: each has its own way of doing things and we couldn’t pick an overall winner. Optics Pro proved as precise and versatile as Lightroom for corrective colour treatments. The ability to fix distortion and vignetting issues in JPEGs dating back years was a revelation.Īlso new are the Selective Tone controls, with sliders for highlights, midtones, shadows and blacks. Default processing settings can be customised separately for JPEG and raw images, but we found its out-of-the-box processing was spot on. Increasing Smart Lighting’s intensity slider produced more radical changes that were still expertly judged.Īnother new feature avoids clipping in highly saturated colours, again with great success. This is a new feature in version 8, and it did a superb job of tweaking the luminance curve to reveal details in shadows and highlights without excessively altering the rest of the image. Lens corrections are applied to images by default, and there’s even subtle colour correction via the Smart Lighting tool. It’s annoying to lose out on this when shooting raw, and Optics Pro seamlessly adds it back into the workflow. There’s a growing trend for cameras to correct distortion, CA and vignetting, but only for their JPEG output.
The significance of this shouldn’t be underestimated. Lightroom includes lens profiles, too, but only for distortion (its CA removal is performed by analysing the image rather than from a profile) and it has far fewer profiles for JPEGs. These allow Optics Pro to correct distortion, chromatic aberrations (CA), vignetting and even variations in sharpness, and they’re available for both JPEG and raw files.
The software has profiles for more than 10,000 lens and body combinations, and the intention is to double this number by the end of 2013. DxO clearly knows a thing or two about lenses.